“But if she’s already engaged to him, why risk criticism of him,” argued Joan, ignoring Madge’s flippancy. “It’s too late.” Mr. Folk was a well-known artist. He lived in Paris. “You are wonderfully like your mother,” he told Joan. “In appearance, I mean,” he added. “I knew her when she was Miss Caxton. I acted with her in America.”!

“What are you making?” asked Joan. “Beg pardon, nurse,” he said, “but we’ve sent for a stretcher, as the police don’t seem in any hurry. Would you like us to take him. Or would it upset him, do you think, if he knew?”

“I think God must want you very badly,” she said, “or He wouldn’t have laid so heavy a cross upon you. You will come?” How long Joan remained there she was never quite sure. There was little difference between day and night. After it had been quiet for an hour or so, Madame Lelanne would go out, to return a little later with a wounded man upon her back; and when one died, she would throw him across her shoulder and disappear again up the steps. Sometimes it was a Frenchman and sometimes a German she brought in. One gathered that the fight for the village still continued. There was but little they could do for them beyond dressing their wounds and easing their pain. Joan and the little chemist took it in turns to relieve one another. If Madame Lelanne ever slept, it was when she would sit in the shadow behind the stove, her hands upon her knees. Dubos had been in the house when it had fallen. Madame Lelanne had discovered him pinned against a wall underneath a great oak beam that had withstood the falling débris. His beard had been burnt off, but otherwise he had been unharmed. She turned and looked at him then. She wondered why she had ever thought him ugly.